You know that best friend you almost want, but
secretly wouldn't let meet your parents? Inside Noah Baumbach's framework of a
typical "Brooklyn indie," where vaguely recognizable 20-30-somethings
hold inferior jobs and wonder where their lives are going, is a fresh take on
the manic dream girl. In this film, not such a dream. Greta Gerwig's Frances
looks older than she is and acts younger. She bursts into play-fights with her
friends on the sidewalk; she takes an impromptu weekend to Paris and charges it
to a junk-mail credit card.
For all its familiar notes, Frances
Ha captures that moment when we near adulthood and resist it. Baumbach
and Gerwig, who co-writes and stars, call out every new apartment Frances lives
in like a sad Craigslist travelogue. Her hopes are easily deflated: When she
rushes home from Paris to make a Monday meeting with the head of the dance
company, her boss admits she almost canceled. Paris isn't great to Frances,
either; the city has never seemed lonelier. We're used to discomforting
characters these days; as much as Baumbach wants to make the next black-and-white Manhattan,
he can't avoid the influence of Girls.
Some of Baumbach's previous films were too cerebral
(The Squid and the Whale) or too unpleasant (Greenberg) for my
tastes. Frances isn't maladjusted as much as fiercely independent, and often
spontaneously funny. But underneath the comedy, I had the very real concern
that Frances can't tough it forever in the city. Adulthood feels more like an
enemy than an opportunity. New Yorkers are trying harder than ever these
days, and getting nowhere.